Friday's Five- Vol. 3

Broadway's Tony awards were handed out this past Sunday, so this week's Friday's Five is:

Five Favorite Broadway Performances- Comedic Category

1. Bill lrwin in Bye Bye Birdie This revival, starring John Stamos, was a bit uneven in my opinion, but two things stood out: the energy of the young performers and Bill Irwin in his role as Harry McAfee, the put-upon father of the teen girl chosen to get a kiss from pop star Conrad Birdie. Every time Irwin opened his mouth, comic gold came out, and his physical schtick was priceless. No one moves like Irwin.

2. Valerie Harper in Looped Harper portrayed the original Hollywood bad girl, Tallulah Bankhead, in this three person comedy. She nailed Bankhead's unique voice and style, yet seemed to make the role her own. Harper deservedly earned a Tony nomination for her role, though unfortunately, the show did not last long on Broadway and people don't have the chance to see how brilliant she was.

3. Jan Maxwell in Lend Me a Tenor Maxwell has but a few scenes in this revival of a farce, but boy does she make the most of them, earning a Tony nomination. She plays the tenor's Italian wife, and her screaming scenes with Anthony LaPaglia, her husband, the tenor, are screamingly hilarious. Her physical comedy excels as well, particularly when she uses a pillow, or rather, it overcomes her. The author should have written her into more scenes.

4. Justin Bartha in Lend Me a Tenor Bartha makes his Broadway debut in this show as Max, the jittery assistant who assumes the identity of Tito, the Italian tenor. Bartha more than holds his own among the talented cast (Maxwell, Tony Shaloub, and Anthony LaPaglia among others), and actually shines. His best scene is the one where LaPaglia teaches him warmup exercises. Bartha just goes for it, and it pays off huge.

5. Katie Finneran in Promises, Promises Finneran won the Tony for best featured actress in a musical for her role. She only has two scenes, but from the moment she opens her mouth in the opening of Act II as blowsy, brazen Margie, she owns the audience. She and Sean Hayes act and dance the hell out of that scene, and I wish they had shown that one on the Tonys. It may have been the funniest scene on Broadway this year.

Feel free to share your favorite comedic performances on Broadway in the comments section.

Sean Hayes is perfection in PROMISES, PROMISES

Sean Hayes (Jack from TV's Will & Grace) shines in his Broadway debut of the musical revival Promises, Promises. As the curtain rises, he is seated onstage at his desk, eating his lunch, a lonely office worker circa 1962.

Chuck Baxter is a single guy, looking to impress his boss and work his way up the ladder at Consolidated Life. He has no friends, and a crush on Fran, the cute little blonde who doesn't know his name and works in the cafeteria, played by the incomparable Kristin Chenoweth.

But Chuck's biggest asset is that he lives in an apartment on the Upper West Side, a place where the married horndogs at Consolidated Life want to take their girlfriends for an hour or two before going home to the wife. Reluctantly, Chuck gets dragged into this arrangement, promised a big promotion by the upper management types who use his apartment.

When the big boss, well played by Tony Goldwyn, gets wind of this, he tells Chuck to dump the other guys and just let him bring his girlfriend there in exchange for a promotion. Chuck agrees, but is heartbroken when he discovers the boss's girl is his beloved-from-afar Fran.

Hayes' comic timing is perfection, and he excels at the physical comedy. The scene where he tries to sit in a modern chair in the boss's office is genius, and his comic asides to the audience make everyone feel an important part of the show.

The second act opens with the highlight of the show- a Christmas Eve bar scene between a drunken, heartsick Chuck and Marge McDougall, a blowsy widow, brilliantly played by Broadway vet Katie Finneran. Finneran and Hayes' drunken, flirtatious repartee leads to a hilarious dance scene, and Hayes could barely contain his laughter during the scene. It reminded me of Tim Conway cracking up his costars on The Carol Burnett Show, and the audience ate it up.

Another Broadway vet, Dick Latessa, turns in a fine performance as Chuck's neighbor, a doctor. Latessa, Finneran, and Hayes all have razor-sharp comedic timing in their scene in Chuck's apartment.

Chenoweth has a less comedic role, but the chance to hear her sing such Burt Bacharach/Hal David classic songs as "I Say a Little Prayer", "A House Is Not a Home" and "I'll Never Fall in Love Again" gave me chills. Her lovely voice is so pure, I had goosebumps.

Surprisingly, Hayes has a sweet singing voice too, and he shines in the quieter songs, especially the duets with Chenoweth. The choreography by Rob Ashford, and the dancers add a vibrant note to this production.

Promises, Promises is a charming, funny, retro musical that surprisingly has some relevance in today's society, with it's storyline about men who cheat on their wives (Tiger, Jesse, and the rest). Hayes' charismatic performance ensures that he will not just be known as Jack McFarlyne for the rest of his long career.

If you are headed to NYC and want to see a fun, charming musical, don't miss Promises, Promises.