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Showing posts with label Laurie Metcalf. Show all posts
Showing posts with label Laurie Metcalf. Show all posts

Friday, July 7, 2017

On Broadway- A Doll's House Part 2


Lucas Hnath's brilliant play, A Doll's House Part 2, is a sequel of sorts. It had the same characters as Henrik Ibsen's classic A Doll's House, and it picks up the action fifteen years after the end of Ibsen's play. But you need not have read or seen Ibsen's play to enjoy Hnath's work.

The action begins with insistent knocking on a door. Anne Marie, a servant, opens the door to find Nora standing on the other side. Nora, who left her husband and three young children fifteen years ago. We find out that Nora has not communicated with her family in the intervening years. They did not know if she was dead or alive.

Nora, played by Laurie Metcalf who won the Tony Award this year for her role, is a ball of fire. She is well dressed, and the intervening years have apparently been good to her. She asks Ann Marie, the women who was left to raise Nora's children to guess how she made her money.

Anne Marie, played by the fantastic Jayne Houdyshell, is curious but after guessing actress and model and maybe prostitute, Nora is miffed that Ann Marie only guesses stereotypical female-centered careers that rely on women's beauty. Nora proudly tells her that she is a writer, a successful writer, whose first book was a bestseller about a woman who leaves her family.

Anne Marie tells Nora she should leave before Torvald, Nora's husband returns home, but soon Torvald appears. Chris Cooper is hypnotic as Torvald, you cannot take your eyes off him when he is on stage, although at times he was difficult to hear.

The scene between Nora and Torvald is nothing short of astonishing. These are two actors at the height of the talents, and the stage crackles with tension and residual feelings between them. You could hear a pin drop during their big scene. I could have watched them talk for hours.

Condola Rashad (Showtime's Billions) plays Nora and Torvald's daughter Emmy. Emmy is curious to see her mother, who left her when she was three years old. Emmy is about to be married and she doesn't want her returning mother to ruin her life.

A Doll's House Part 2 has much to say about marriage and the role of women, which for some hasn't changed much in the years since the setting of the late 19th century. You could hear many in the audience audibly reacting to some of the more intriguing ideas.

All four of the actors, the entire cast, were nominated for Tony's this year, with Metcalf winning for Best Actress in a Play. They were all amazing, and the extended standing ovation at the end of the show reflected that. The show is funny and though-provoking and a must-see.

There are discount tickets available but A Doll's House is a show worth paying full price for. Note- Metcalf just announced she is leaving the show on July 23, and the equally talented Julie White will be replacing her.

A Doll's House Part 2's website is here.



Tuesday, February 16, 2016

On Broadway- Misery


One of my husband's favorite movies is Misery, based on Stephen King's novel and starring Kathy Bates as crazed fan Annie Wilkes. It was the movie that made her a star and she is unforgettable in that role.

When I heard that they were working on a Broadway adaptation of Misery, I thought that no one could be so good in that iconic role and that maybe it wasn't a smart idea. Elizabeth Marvel, a Broadway vet, was slated to play Annie Wilkes, and I thought that was a great choice. Unfortunately, she had to drop out, but Laurie Metcalf took on the role and was brilliant.

Many people know Metcalf from her role as Roseanne's sister Jackie in TV's groundbreaking sitcom Roseanne. I have seen her on Broadway and know how good she is on the stage, and I knew she'd be terrific. I also loved her on the HBO comedy Getting On, where she played a tightly-wound doctor in a long-term care ward of a hospital. How she hasn't gotten an Emmy for that is a head-scratcher.

Metcalf astounds as writer Paul Sheldon's "number one fan". Sheldon writes her favorite series of books, historical romances about a strong female character named Misery. The show opens with Sheldon incapacitated by a serious car accident, with two broken legs, waking up in a bed in nurse Annie Wilkes home.

At first we think Annie is just a good Samaritan, caring for the injured man. Then we come to realize that she is little bit crazy and maybe she ran him off the road herself. Paul's newest Misery book is publishing soon, and Annie is so excited to read it....until she does.

Paul kills off Misery in the latest book and that sets Annie off the edge of sanity. She holds Paul hostage, and forces him to write a new Misery book, one where Misery lives happily every after.

A basically two-person show requires that both actors be on the same page, and unfortunately, Metcalf is much stronger in her role than Bruce Willis is in his. To be fair, he spends most of the show in bed, and this is his Broadway debut, so that plays into it. But Laurie Metcalf is just on another plane here. She shows us how Annie descends into madness and we almost feel compassionate towards her.

Misery ended its run this past week, and while I wouldn't have recommended it wholeheartedly, I did really enjoy Laurie Metcalf's performance and was glad I saw it.