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Showing posts with label Carrie Fisher. Show all posts
Showing posts with label Carrie Fisher. Show all posts

Friday, October 25, 2019

Friday 5ive- October 25, 2019

Welcome to the Friday 5ive, a weekly post where I discuss five things that caught my attention this week. I was in Florida for a girls' weekend last week, so this post covers two weeks.

1) I attended the annual ArchCare Gala at Gotham Hall this week, hosted by my husband to benefit the ArchCare Foundation. Along with 500 other people, I saw former NY Yankee Tino Martinez speak a few words. He told a funny story about trying to get Yankees tickets for his former school principal, a nun, and her friends. It was sweet, and anyone who attended Catholic school would appreciate it. The entertainment for the evening was provided by the New York Tenors, who sang three songs and had the audience on their feet. This is a clip of them singing Leonard Cohen's "Hallelujah."
Tino Martinez



2) I saw a whimsical tea pot display at the Mackenzie Childs store in New York City. Look at the hands coming out of the wall holding the tea pots, so very clever.



3) This vibrant red sky over the East River greeted me this morning as I got up early to do laundry.


4) I watched the entire season 3 of The Handmaid's Tale last week. I stayed up until 1:30 in the morning to finish the last three episodes, and it was so intense that I could not sleep afterwards. My takeaway- the allusions to the Underground Railroad were terrifying, and those Marthas are badass women. 


5) It was a week for biographies about famous women. The first one I read is Janis by Holly George- Warren, which tells the entire life story of Janis Joplin, and I found the second half of the book more interesting than the first, after Janis starting becoming famous. She was a blazing talent, an addict, and a lonely woman.  I'll be downloading her music and writing a review of the book soon.

The second biography is also about a cultural icon- Carrie Fisher. Sheila Weller's  Carrie FisherA Life on the Edge  fully recounts Fisher's life from her childhood to her death in 2017, when she had a heart attack on a flight from London to Los Angeles. Fisher was bipolar and addicted to drugs. She spoke and wrote candidly about her struggles in both in her fiction and nonfiction books, as well as in her brilliant autobiographical stage piece, Wishful Drinking, which I was lucky enough to see on Broadway. (My blog post about that is here.) It's a compelling book, but Carrie's family has recently disavowed it, saying they did not contribute to it. It does make me want to read all of Carrie Fisher's novels and watch all of her Star Wars movies. My review will be up soon, and the book publishes on November 12th. 

I hope you had a great week too, let me know what you've been up to in comments.






Sunday, January 1, 2017

The Night I Sat Across The Aisle From Debbie Reynolds

This post is a review of Debbie Reynolds' last book, Make 'Em Laugh, and I was there for one of the anecdotes- read through until the end. The world was a more interesting place because Debbie Reynolds was in it.

Make 'Em Laugh by Debbie Reynolds and Dorian Hannaway
Published by William Morrow ISBN 9780062416634
Hardcover, $25.99, 288 pages

The subtitle of Debbie Reynolds' book Make 'Em Laugh is Short-Term Memories of Longtime Friends and it aptly describes this book; it's filled with short anecdotes about Reynolds and the people she met in her long and storied career.

While reading it, I felt like I was sitting next to her on her couch in her beautiful home while she flipped through a scrapbook, sharing memories of the many famous people she has met and known.

Reynolds is hilarious, as anyone who has seen her on a talk show or award show knows. She has a sharp, quick wit that is well on display here. She also has some funny stories to share about her family, including daughter Carrie Fisher who inherited her mom's sense of humor.

Carrie opens the book recounting the evening that her brother Todd accidentally shot himself in the thigh with a blank from a gun. Debbie called a cab to take him to the hospital because "ambulances can be so loud", and when Debbie was brought to the police station to be fingerprinted, Debbie gave them one finger to be printed. And we're off.

Reynolds shares that she likes to do talk shows, The View and The Talk being two of her favorites. She really loved being on Craig Ferguson's show, saying that no matter what she said, he was right there with her.

She was one of Joey Bishop's first guests on his talk show in the 1960's and recalls demonstrating on Regis Philbin (Joey's sidekick) the proper method taught to Girl Scouts to put out a fire. She jumped on him and he came out of it bruised and scraped, while she split her dress. She was a hit, making the front page cover of New York Sunday News.

Reynolds talks about her visits to the White House, sitting next to Prince at the Oscars, who was wearing a purple lace shawl over his head, dancing the night away with Belgium's bachelor King Baudouin and having her rear end pinched by both Prince Philip (Queen Elizabeth's husband) and Robert Kennedy.

Jonathan Winters and Jimmy Stewart were favorite dinner party seat mates, Milton Berle, whom Reynolds called "obnoxious", was not. Neither was Shelley Winters, "a pain in the ass." She shares a tale of dumping a bucket of ice and water over a drunken Elaine Stritch's head when Stritch was talking through an entire cabaret performance of a friend of Reynolds.

One anecdote she shares is one I was there for. She recounts attending the first preview for Bette Midler's Broadway show about agent Sue Mengers. She was seated near Liza Minelli, and I was sitting across the aisle from them and was so excited to see both of these superstars.

If you are a fan of Debbie Reynolds, Make 'Em Laugh is a book you'll enjoy. It would make a lovely gift for the Turner Classic Movie aficionado in your life.


The Day I Met Carrie Fisher

This post is from 2009, the day I saw Carrie Fisher's  howlingly funny one woman Broadway show, Wishing Drinking. The world was a more colorful place because Carrie Fisher was in it.

Carrie Fisher turned her funny book Wishful Drinking into a stage production and it's now on Broadway at Studio 54.


I enjoyed her book and her first (autobiographical) novel, Postcards from the Edge, which was turned into a brilliant movie starring Meryl Streep and Shirley MacLaine, so I looked forward to seeing the show.

Fisher engages the audience right away, tossing gobs of glitter on the front row as she wanders among them. She involves a few of them in her show, and it definitely enhanced the experience.

The show is about Fisher's life- her family, her iconic role in Star Wars, her marriages (first to music icon Paul Simon and then to a closeted gay man with whom she has a lovely daughter), her addiction to pills and eventual diagnosis of bipolar illness.

She starts out right away talking about her gay male friend who died in her bed right next to her. She explains the circumstances and finds some humor in what was a horrible experience for her.

Carrie Fisher outside the stage door
The funniest part of the show occurs when a board of photos descends and she uses it to show how she explained to her daughter, who wanted to date Elizabeth Taylor's grandson but feared that they were related, how the family tree worked.

She explained that Debbie Reynolds (her mom), Eddie Fisher (her dad) and Liz were the Jennifer Aniston, Brad Pitt and Angelina Jolie of their day. She shows how Debbie had terrible taste in men, which Carrie seemed to inherit, and how Eddie's wives got progressively younger as he aged. She involved Greta, an audience member, in this howlingly funny explanation. She calls it Hollywood Inbreeding 101.

Her impression of her mother is so delightful, and it is sweet that they live right next door to each other in California. Carrie has clearly inherited her mother's sense of humor and survival.

Also enjoyable were the stories she told of working with George Lucas in

Star Wars. She pokes fun at her infamous hairstyle that highlighted her pudgy cheeks, the merchandising juggernaut and how George Lucas owns her likeness and so she appeared as dolls, shampoo bottles, soap, and a Pez dispenser. A life-sized concrete likeness of her (with enhanced breasts) that is sold as a sex toy on Ebay comes down from the ceiling to emphasize her discussion.

Fisher uses several photos as backdrops, including a photo of her in Princess Leia regalia that is in a textbook on mental health, illustrating the Bipolar Disorder chapter. At the end of the show, tabloid headlines about her and her family fly across the screen behind her as Fisher sings "Happy Days Are Here Again" in a lovely, strong voice. She sings as well as she writes, and that's saying something.

The show is very funny, and touching as well. Fisher lays bare her life- her successes, her failures, her frailties- for all to laugh at and empathize with. That she made it through and is able to laugh at it and make us laugh at it, is a gift. If you want a good laugh, go see Wishful Drinking before it closes in December.

I waited outside the stage door to get my copy of her book signed, but was disappointed when Fisher's people told us that she would sign only the stage program or ticket. She came out right away after the matinee, but seemed much more reticent towards the handful of people waiting for her than she was onstage. I guess I'll chalk it up to the fact that she just spent two hours talking onstage and had to come back in a few hours and do it all over again.

Tuesday, October 13, 2009

Carrie Fisher's WISHFUL DRINKING




Carrie Fisher turned her funny book Wishful Drinking into a stage production and it's now on Broadway at Studio 54.

I enjoyed her book and her first (autobiographical) novel, Postcards from the Edge, which was turned into a brilliant movie starring Meryl Streep and Shirley MacLaine, so I looked forward to seeing the show.

Fisher engages the audience right away, tossing gobs of glitter on the front row as she wanders among them. She involves a few of them in her show, and it definitely enhanced the experience.

The show is about Fisher's life- her family, her iconic role in Star Wars, her marriages (first to music icon Paul Simon and then to a closeted gay man with whom she has a lovely daughter), her addiction to pills and eventual diagnosis of bipolar illness.

She starts out right away talking about her gay male friend who died in her bed right next to her. She explains the circumstances and finds some humor in what was a horrible experience for her.

The funniest part of the show occurs when a board of photos descends and she uses it to show how she explained to her daughter, who wanted to date Elizabeth Taylor's grandson but feared that they were related, how the family tree worked.

She explained that Debbie Reynolds (her mom), Eddie Fisher (her dad) and Liz were the Jennifer Aniston, Brad Pitt and Angelina Jolie of their day. She shows how Debbie had terrible taste in men, which Carrie seemed to inherit, and how Eddie's wives got progressively younger as he aged. She involved Greta, an audience member, in this howlingly funny explanation. She calls it Hollywood Inbreeding 101.

Her impression of her mother is so delightful, and it is sweet that they live right next door to each other in California. Carrie has clearly inherited her mother's sense of humor and survival.

Also enjoyable were the stories she told of working with George Lucas in

Star Wars. She pokes fun at her infamous hairstyle that highlighted her pudgy cheeks, the merchandising juggernaut and how George Lucas owns her likeness and so she appeared as dolls, shampoo bottles, soap, and a Pez dispenser. A life-sized concrete likeness of her (with enhanced breasts) that is sold as a sex toy on Ebay comes down from the ceiling to emphasize her discussion.

Fisher uses several photos as backdrops, including a photo of her in Princess Leia regalia that is in a textbook on mental health, illustrating the Bipolar Disorder chapter. At the end of the show, tabloid headlines about her and her family fly across the screen behind her as Fisher sings "Happy Days Are Here Again" in a lovely, strong voice. She sings as well as she writes, and that's saying something.

The show is very funny, and touching as well. Fisher lays bare her life- her successes, her failures, her frailties- for all to laugh at and empathize with. That she made it through and is able to laugh at it and make us laugh at it, is a gift. If you want a good laugh, go see Wishful Drinking before it closes in December.

I waited outside the stage door to get my copy of her book signed, but was disappointed when Fisher's people told us that she would sign only the stage program or ticket. She came out right away after the matinee, but seemed much more reticent towards the handful of people waiting for her than she was onstage. I guess I'll chalk it up to the fact that she just spent two hours talking onstage and had to come back in a few hours and do it all over again.