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Showing posts with label Patina Miller. Show all posts
Showing posts with label Patina Miller. Show all posts

Monday, July 22, 2013

Broadway Visits Barnes & Noble


Barnes & Noble on East 86th St. hosted two Broadway-themed events in the past two weeks that were fun and informative.

The cast of Pippin were there on July 9th to sign copies of their cast recording. They opened with a video of the first song on the CD, Magic To Do. It was a unique way to begin and got everyone in the mood.

Then Rachel Bay Jones (Catherine) took the stage and sang Kind of Woman. I swear, she reminds  me so much of Jane Krakowski, with her killer voice, blonde hair and big smile. She’s got a great future ahead of her.

Matthew James Thomas (Pippin) joined Jones for a duet of Love Song, which was so sweet; their voices melded together beautifully.

Patina Miller 
The last performance was from Tony winner for Pippin, the amazing Patina Miller (Leading Player), singing Simple Joys. I’ve seen her in Sister Act and at Lincoln Center for a one-night concert performance of Ragtime, and she is one of the most talented people on Broadway today. 
Terrence Mann



The cast, including Tony winner Andrea Martin (Berthe), whom I have loved since her days as Edith Prickly on SCTV, and who has the most incredible scene singing a song while on a trapeze- upside down, Terrence Mann (King Charles), Charlotte d’ Ambroise (Fastrada) and composer/creator Stephen Schwartz all signed CDs following the performance.
Pippin cast

If you haven’t seen Pippin yet, make sure to put it on your to-do list. It is spectacular!

The second CD performance and signing was Carolee Carmello singing songs from Scandalous, which closed on Broadway after a brief run last winter.  Book and lyric writer Kathie Lee Gifford and music writer David Friedman were also there, and they talked about the inspiration for the show, and how it came to be.

Normally you just get a few songs and a signing, but this was so much more interesting. Gifford has been trying for thirteen years to bring the remarkable story of Amy Semple McPherson, a superstar evangelist from the 1920s, who was as famous as Madonna in her day.

We heard about the various iterations of the show in DC and Seattle, and the tough decisions they had to make on what to cut (Gifford said that there were 15 more songs that didn’t make it in the show, including a gospel song that was her favorite).

It was an eye-opening look at how difficult it is to get a show to Broadway, and the heartbreak at seeing it close. I saw the show and liked it, though I could see how difficult it was to tell such a rich story in such a short time.

The Tony-nominated Carmello brought down the house (and brought Gifford to tears) as she belted out three songs from the show, Stand Up, Why Can’t I? and How Could You? (Gifford likes songs that ask a question. See also- Lost or Found? and What Does It Profit?)

Carolee Carmello, Kathie Lee Gifford, David Friedman


I literally had goosebumps listening to her sing and recorded two of the songs, which you can see below. Carmello is such a talent, I hope to see her back on Broadway soon.




Tuesday, February 19, 2013

Ragtime At Lincoln Center


I have attended close to one hundred Broadway shows and concerts and I have never actually seen an audience leap to its feet at the end of a show until last night's Manhattan Concert Production's performance of Ragtime at Lincoln Center.

It was a glorious show, with each role cast to perfection. Some of the highlights included the incomparable Norm Lewis (Porgy & Bess) as Coalhouse Walker Jr., who transforms from a soulful musician desperately in love with the beautiful Sarah to a vengeful man seeking justice after a racial incident spirals into tragedy. His deep, rich voice is best expressed on Make Them Hear You and his beautiful duet with Patina Miller (Sister Act), Wheels of a Dream.

Miller had the audience in the palm of her hand as she sang Your Daddy's Son, and she somehow made the audience believe that the binder she held in her arms was her son.

Lea Salonga (Miss Saigon) was a clear audience favorite in the role of Mother, and the audience roared their approval after she sang Back to Before.  The humorous performance of What a Game had a joyful energy as the ensemble guys praised the great American past time of baseball.

The group numbers, Ragtime, which opens the show with a bang, Til We Reach That Day (which closes Act I) and the reprise of Ragtime/Wheels of a Dream that closes the show filled the auditorium with such a joyful noise, it gave me chills.

Other standout performers were Michael Arden as Younger Brother, Manoel Felciano as Tateh, Howard McGillin (the Phantom in Phantom of the Opera) as Father, Kerry Butler as a bubbly Evelyn Nesbit and an incredible young Lewis Grosso as The Little Boy. Remember that name, you will hear from him for a long time to come. It was also great to see the amazing Tyne Daly as Emma Goldman; I just wish she had a larger role.

A chorus filled with high school, college and community choirs from around the country added their voices to the ensemble, along with over a dozen ensemble performers I recognized from Broadway shows.

This was one of the top five shows I have seen since I've been in NYC; it will be difficult to top this experience and I think many of the hundreds of people at Lincoln Center last night agree with me.

Here are some backstage photos from last night's show via Broadway.com